BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Dubuque Museum of Art - ECPv6.18.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://archive.dbqart.org
X-WR-CALDESC:Events for Dubuque Museum of Art
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20130310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20131103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20140309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20141102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20150308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20151101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20160313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20161106T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150927T133000
DTEND;TZID=America/Chicago:20150927T133000
DTSTAMP:20150807T205417Z
CREATED:20150408T193821Z
LAST-MODIFIED:20150807T205417Z
UID:1170-1443360600-1443360600@archive.dbqart.org
SUMMARY:Lecture - Mary Kay Shanley
DESCRIPTION:Our State Fair Is a Great State Fair— But Then You Already Knew That \nWhen the Iowa State Fair turned 150 years old in 2004\, the celebration included release of Shanley’s book\, Our State Fair—Iowa’s Blue Ribbon Story\, a coffee-table book of history that’s both rich and fun. Shanley will take us on a sit-down tour of the Fair via her book—its unique (and unsteady) start; the competition; the entertainment (not something those Founding Fathers favored); the ag extravaganza of Iowa; the super structures (listed on the National Register of Historic Places\, no less); and\, finally\, a potpourri of everything else that’s helped mold the experience into an Iowa treasure. Shanley asks you to bring along a couple of your own stories to share\, if you wish. She believes that your memories are as rich as the tales in the book. \n  \n\nImage: Kurt Ullrich\, John Deere Agricultural Building\, 2013\, black and white photograph\, 21×25 ⅛ in.\, collection of the artist\nThis talk is free and sponsored by Humanities Iowa and the Henry Family Foundation.
URL:https://archive.dbqart.org/event/lecture-5/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Free,Lectures
ORGANIZER;CN="Dubuque Museum of Art":MAILTO:info@dbqart.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150913T133000
DTEND;TZID=America/Chicago:20150913T133000
DTSTAMP:20150807T210054Z
CREATED:20150408T193600Z
LAST-MODIFIED:20150807T210054Z
UID:1168-1442151000-1442151000@archive.dbqart.org
SUMMARY:Lecture - Tom Leslie
DESCRIPTION:The Iowa State Fair has been a symbol of the city of Des Moines and the State of Iowa since its inception. But even though it is an event that brings our state together as much as anything else\, its history is also reflective of the gentle tensions between urban and rural here. Iowa State Professor of Architecture Thomas Leslie will show how the Fair’s history reflects Iowa’s history\, and how the Fair’s architecture in particular reveals how the event has always been caught between business and entertainment. \n  \n\nImage: Kurt Ullrich\, John Deere Agricultural Building\, 2013\, black and white photograph\, 21×25 ⅛ in.\, collection of the artist.\nThis talk is free and sponsored by Humanities Iowa and the Henry Family Foundation.
URL:https://archive.dbqart.org/event/lecture-4/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Free,Lectures
ORGANIZER;CN="Dubuque Museum of Art":MAILTO:info@dbqart.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150626T121500
DTEND;TZID=America/Chicago:20150626T125000
DTSTAMP:20150430T140823Z
CREATED:20150430T135911Z
LAST-MODIFIED:20150430T140823Z
UID:1260-1435320900-1435323000@archive.dbqart.org
SUMMARY:Lunch and Learn lecture series - June 12\, 19\, & 26
DESCRIPTION:Fridays\, June 12\, 19\, and 26 from 12:15 to 12:50 PM\nThree-part lecture series on the life of Georgia O’Keeffe by art history educator Carol Ehlers\nThe series is free to Museum members and $5 for non-members.\nFriday\, June 12\nLECTURE 1: Her Natural World \nWhy did O’Keeffe choose the subjects of nature such as trees\, leaves\, flowers\, apples\, and corn? During her early career\, beginning in 1918 until 1928\, O’Keeffe spent part of the summer and fall painting at Lake George\, a thirty-mile-long lake in the Adirondack Mountains of upstate New York. Lake George was the family estate of Alfred Stieglitz\, whom she married in 1924. The tendency when looking at Georgia O’Keeffe’s life is to focus on her time in New Mexico – this program provides the connection between Lake George and O’Keeffe’s flowers. At the core of her art and her life was her devotion to the natural world. Already by 1916\, O’Keeffe had studied at the School of Art Institute of Chicago\, the Art Students League in New York\, and Columbia University Teachers College. Her paintings are about her reactions to the world around her. Arthur Dove’s writing and theory led her to abstraction. Learn how O’Keeffe admires Luther Burbank’s work pioneering the hybridization of plants to achieve larger blossoms and diversity of form and color. In her lifetime\, she will paint over 200 images of flowers. O’Keeffe’s botanical works debut in the mid-1920s\, at the same time when she was engaged in the practice of cultivating flowers at Lake George. View other natural artwork from the era of Lake George that includes fruits\, trees\, leaves\, and corn in a period of extraordinary creativity. \nFriday\, June 19\nLECTURE 2: Alfred Stieglitz and New York \nO’Keeffe and her husband Alfred Stieglitz were inspired by their environment. From 1918 to 1930\, O’Keeffe painted at least two dozen scenes of New York. Her early works are from a pedestrian point of view. In late 1925\, O’Keeffe and Stieglitz moved to the upper floor of the Shelton Hotel. It was the first setback skyscraper in New York and from the windows; O’Keeffe had a bird’s eye view of the city. Gallery 291\, Intimate Gallery\, and American Place\, galleries of Alfred Stieglitz\, provides exhibitions for O’Keeffe. In O’Keeffe’s paintings of Manhattan’s towering skyscrapers Stieglitz’s influence is evident. It is nearly impossible to talk about the work of either O’Keeffe or Stieglitz without mention of the other. The personal and professional union between these two creative talents lasted for more than a quarter of a century.Time in the program is spent looking at their creative partnership and how they influenced each other’s. \nFriday\, June 26\nLECTURE 3: New Mexico \nBeginning in 1929\, Georgia O’Keeffe began spending part of almost every year painting in New Mexico\, first in Taos and later in and about Alcaide\, Abiguiu\, and Ghost Ranch. Her early subjects in New Mexico were the black crosses of the Penitentes. After her second and third trip to New Mexico\, O’Keeffe returned home to the East Coast with an assortment of bone and skulls and used these images for her artwork. Later she captured scenes of the vastness and beauty of the landscapes of New Mexico. Photo images of O’Keeffe’s New Mexico homes tell the compelling story of her life in New Mexico with each home satisfying different aspects of the artist’s personal life. From these homes\, she created paintings of the houses\, surrounding landscape forms\, and specific architectural components of the Abiquiu house. Her houses in New Mexico became essential elements in her painting. Ghost Ranch was isolated and gave her immediate access to the natural world. The Abiquiu house perched on a bluff overlooking the Chama River Valley made it possible for O’Keeffe to live more comfortably in the winter in New Mexico. Both houses are characterized by simple furnishing and minimalist aesthetics. By 1938\, Dole Company invited O’Keeffe to the islands of Hawaii as its guest and\, in exchange\, requested two paintings of unspecified subjects for use in a national magazine advertising campaign. The Muscatine Art Center’s White Lotus was one of the paintings she created from Hawaii. During the 50s\, O’Keeffe explored the world. She saw the world from an airplane and at age 78 O’Keeffe painted her huge Sky Above Clouds IV. In 1971\, she realizes that she is losing her sight and in her 90th year\, working with Juan Hamilton\, she will turn to sculpture. Georgia O’Keeffe dies on March 6\, 1986 at the age of 98 in Santa Fe\, New Mexico and her ashes were scattered on Ghost Ranch\, in the landscapes that inspired her.
URL:https://archive.dbqart.org/event/lunch-and-learn-lecture-series-june-12-19-26-2/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Free for Members,Lectures
ORGANIZER;CN="Dubuque Museum of Art":MAILTO:info@dbqart.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150619T121500
DTEND;TZID=America/Chicago:20150619T125000
DTSTAMP:20150430T140802Z
CREATED:20150430T135724Z
LAST-MODIFIED:20150430T140802Z
UID:1259-1434716100-1434718200@archive.dbqart.org
SUMMARY:Lunch and Learn lecture series - June 12\, 19\, & 26
DESCRIPTION:Fridays\, June 12\, 19\, and 26 from 12:15 to 12:50 PM\nThree-part lecture series on the life of Georgia O’Keeffe by art history educator Carol Ehlers\nThe series is free to Museum members and $5 for non-members.\nFriday\, June 12\nLECTURE 1: Her Natural World \nWhy did O’Keeffe choose the subjects of nature such as trees\, leaves\, flowers\, apples\, and corn? During her early career\, beginning in 1918 until 1928\, O’Keeffe spent part of the summer and fall painting at Lake George\, a thirty-mile-long lake in the Adirondack Mountains of upstate New York. Lake George was the family estate of Alfred Stieglitz\, whom she married in 1924. The tendency when looking at Georgia O’Keeffe’s life is to focus on her time in New Mexico – this program provides the connection between Lake George and O’Keeffe’s flowers. At the core of her art and her life was her devotion to the natural world. Already by 1916\, O’Keeffe had studied at the School of Art Institute of Chicago\, the Art Students League in New York\, and Columbia University Teachers College. Her paintings are about her reactions to the world around her. Arthur Dove’s writing and theory led her to abstraction. Learn how O’Keeffe admires Luther Burbank’s work pioneering the hybridization of plants to achieve larger blossoms and diversity of form and color. In her lifetime\, she will paint over 200 images of flowers. O’Keeffe’s botanical works debut in the mid-1920s\, at the same time when she was engaged in the practice of cultivating flowers at Lake George. View other natural artwork from the era of Lake George that includes fruits\, trees\, leaves\, and corn in a period of extraordinary creativity. \nFriday\, June 19\nLECTURE 2: Alfred Stieglitz and New York \nO’Keeffe and her husband Alfred Stieglitz were inspired by their environment. From 1918 to 1930\, O’Keeffe painted at least two dozen scenes of New York. Her early works are from a pedestrian point of view. In late 1925\, O’Keeffe and Stieglitz moved to the upper floor of the Shelton Hotel. It was the first setback skyscraper in New York and from the windows; O’Keeffe had a bird’s eye view of the city. Gallery 291\, Intimate Gallery\, and American Place\, galleries of Alfred Stieglitz\, provides exhibitions for O’Keeffe. In O’Keeffe’s paintings of Manhattan’s towering skyscrapers Stieglitz’s influence is evident. It is nearly impossible to talk about the work of either O’Keeffe or Stieglitz without mention of the other. The personal and professional union between these two creative talents lasted for more than a quarter of a century.Time in the program is spent looking at their creative partnership and how they influenced each other’s. \nFriday\, June 26\nLECTURE 3: New Mexico \nBeginning in 1929\, Georgia O’Keeffe began spending part of almost every year painting in New Mexico\, first in Taos and later in and about Alcaide\, Abiguiu\, and Ghost Ranch. Her early subjects in New Mexico were the black crosses of the Penitentes. After her second and third trip to New Mexico\, O’Keeffe returned home to the East Coast with an assortment of bone and skulls and used these images for her artwork. Later she captured scenes of the vastness and beauty of the landscapes of New Mexico. Photo images of O’Keeffe’s New Mexico homes tell the compelling story of her life in New Mexico with each home satisfying different aspects of the artist’s personal life. From these homes\, she created paintings of the houses\, surrounding landscape forms\, and specific architectural components of the Abiquiu house. Her houses in New Mexico became essential elements in her painting. Ghost Ranch was isolated and gave her immediate access to the natural world. The Abiquiu house perched on a bluff overlooking the Chama River Valley made it possible for O’Keeffe to live more comfortably in the winter in New Mexico. Both houses are characterized by simple furnishing and minimalist aesthetics. By 1938\, Dole Company invited O’Keeffe to the islands of Hawaii as its guest and\, in exchange\, requested two paintings of unspecified subjects for use in a national magazine advertising campaign. The Muscatine Art Center’s White Lotus was one of the paintings she created from Hawaii. During the 50s\, O’Keeffe explored the world. She saw the world from an airplane and at age 78 O’Keeffe painted her huge Sky Above Clouds IV. In 1971\, she realizes that she is losing her sight and in her 90th year\, working with Juan Hamilton\, she will turn to sculpture. Georgia O’Keeffe dies on March 6\, 1986 at the age of 98 in Santa Fe\, New Mexico and her ashes were scattered on Ghost Ranch\, in the landscapes that inspired her.
URL:https://archive.dbqart.org/event/lunch-and-learn-lecture-series-june-12-19-26/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Free for Members,Lectures
ORGANIZER;CN="Dubuque Museum of Art":MAILTO:info@dbqart.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150612T121500
DTEND;TZID=America/Chicago:20150612T125000
DTSTAMP:20150430T140248Z
CREATED:20150408T160052Z
LAST-MODIFIED:20150430T140248Z
UID:1158-1434111300-1434113400@archive.dbqart.org
SUMMARY:Lunch and Learn lecture series - June 12\, 19\, & 26
DESCRIPTION:Fridays\, June 12\, 19\, and 26 from 12:15 to 12:50 PM\nThree-part lecture series on the life of Georgia O’Keeffe by art history educator Carol Ehlers\nThe series is free to Museum members and $5 for non-members.\nFriday\, June 12\nLECTURE 1: Her Natural World \nWhy did O’Keeffe choose the subjects of nature such as trees\, leaves\, flowers\, apples\, and corn? During her early career\, beginning in 1918 until 1928\, O’Keeffe spent part of the summer and fall painting at Lake George\, a thirty-mile-long lake in the Adirondack Mountains of upstate New York. Lake George was the family estate of Alfred Stieglitz\, whom she married in 1924. The tendency when looking at Georgia O’Keeffe’s life is to focus on her time in New Mexico – this program provides the connection between Lake George and O’Keeffe’s flowers. At the core of her art and her life was her devotion to the natural world. Already by 1916\, O’Keeffe had studied at the School of Art Institute of Chicago\, the Art Students League in New York\, and Columbia University Teachers College. Her paintings are about her reactions to the world around her. Arthur Dove’s writing and theory led her to abstraction. Learn how O’Keeffe admires Luther Burbank’s work pioneering the hybridization of plants to achieve larger blossoms and diversity of form and color. In her lifetime\, she will paint over 200 images of flowers. O’Keeffe’s botanical works debut in the mid-1920s\, at the same time when she was engaged in the practice of cultivating flowers at Lake George. View other natural artwork from the era of Lake George that includes fruits\, trees\, leaves\, and corn in a period of extraordinary creativity. \nFriday\, June 19\nLECTURE 2: Alfred Stieglitz and New York \nO’Keeffe and her husband Alfred Stieglitz were inspired by their environment. From 1918 to 1930\, O’Keeffe painted at least two dozen scenes of New York. Her early works are from a pedestrian point of view. In late 1925\, O’Keeffe and Stieglitz moved to the upper floor of the Shelton Hotel. It was the first setback skyscraper in New York and from the windows; O’Keeffe had a bird’s eye view of the city. Gallery 291\, Intimate Gallery\, and American Place\, galleries of Alfred Stieglitz\, provides exhibitions for O’Keeffe. In O’Keeffe’s paintings of Manhattan’s towering skyscrapers Stieglitz’s influence is evident. It is nearly impossible to talk about the work of either O’Keeffe or Stieglitz without mention of the other. The personal and professional union between these two creative talents lasted for more than a quarter of a century. Time in the program is spent looking at their creative partnership and how they influenced each other’s. \nFriday\, June 26\nLECTURE 3: New Mexico \nBeginning in 1929\, Georgia O’Keeffe began spending part of almost every year painting in New Mexico\, first in Taos and later in and about Alcaide\, Abiguiu\, and Ghost Ranch. Her early subjects in New Mexico were the black crosses of the Penitentes. After her second and third trip to New Mexico\, O’Keeffe returned home to the East Coast with an assortment of bone and skulls and used these images for her artwork. Later she captured scenes of the vastness and beauty of the landscapes of New Mexico. Photo images of O’Keeffe’s New Mexico homes tell the compelling story of her life in New Mexico with each home satisfying different aspects of the artist’s personal life. From these homes\, she created paintings of the houses\, surrounding landscape forms\, and specific architectural components of the Abiquiu house. Her houses in New Mexico became essential elements in her painting. Ghost Ranch was isolated and gave her immediate access to the natural world. The Abiquiu house perched on a bluff overlooking the Chama River Valley made it possible for O’Keeffe to live more comfortably in the winter in New Mexico. Both houses are characterized by simple furnishing and minimalist aesthetics. By 1938\, Dole Company invited O’Keeffe to the islands of Hawaii as its guest and\, in exchange\, requested two paintings of unspecified subjects for use in a national magazine advertising campaign. The Muscatine Art Center’s White Lotus was one of the paintings she created from Hawaii. During the 50s\, O’Keeffe explored the world. She saw the world from an airplane and at age 78 O’Keeffe painted her huge Sky Above Clouds IV. In 1971\, she realizes that she is losing her sight and in her 90th year\, working with Juan Hamilton\, she will turn to sculpture. Georgia O’Keeffe dies on March 6\, 1986 at the age of 98 in Santa Fe\, New Mexico and her ashes were scattered on Ghost Ranch\, in the landscapes that inspired her.
URL:https://archive.dbqart.org/event/lunch-and-learn-lecture-series/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Free for Members,Lectures
ORGANIZER;CN="Dubuque Museum of Art":MAILTO:info@dbqart.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141104T121500
DTEND;TZID=America/Chicago:20141104T130000
DTSTAMP:20141103T220617Z
CREATED:20140926T194635Z
LAST-MODIFIED:20141103T220617Z
UID:712-1415103300-1415106000@archive.dbqart.org
SUMMARY:Lecture
DESCRIPTION:Wayne Buchholz\, Park Ranger at the Mines of Spain Recreation Area\, will present a talk on the Tall Grass Prairie – what one is and how they are reconstructed and maintained. Held in conjunction with the exhibition Homage to the Tallgrass Prairie: Watercolors by George Olson\,  this program will be held in the Museum classroom. \nThe talk is free to the public.
URL:https://archive.dbqart.org/event/lecture/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Lectures
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141026T133000
DTEND;TZID=America/Chicago:20141026T143000
DTSTAMP:20141001T195919Z
CREATED:20140927T000737Z
LAST-MODIFIED:20141001T195919Z
UID:691-1414330200-1414333800@archive.dbqart.org
SUMMARY:Artist Talk
DESCRIPTION:Join watercolor artist and botanical illustrator\, George Olson as he discusses his current exhibition Homage to the Tallgrass Prairie: Watercolors by George Olson that runs through November 30\, 2014. Olson retired from the art department at The College of Wooster in Ohio in 2000. He is now a full-time artist with an impressive exhibition schedule and an ever-growing body of new work. He also finds time to promote prairie restoration efforts through propogation and education. \nImage: George Olson\, Prairie Rose\, Rosa carolina\, 2013\, watercolor\, 24×18 in.\, collection of the artist
URL:https://archive.dbqart.org/event/artist-talk-3/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://archive.dbqart.org/wp-content/uploads/2014/09/Olson-PrairieRose.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141012T133000
DTEND;TZID=America/Chicago:20141012T143000
DTSTAMP:20141001T200237Z
CREATED:20140927T000502Z
LAST-MODIFIED:20141001T200237Z
UID:690-1413120600-1413124200@archive.dbqart.org
SUMMARY:Artist Talk
DESCRIPTION:History of the Magic Box featuring Craig Steven. The “art of the use of the box in magic” is the featured topic as illusion builder and local Dubuque performer\, Craig Steven\, shares the rich history of parlor and stage illusion using the common box. From the first stage performance of sawing a women in half by PT Selbit in 1921 to the latest box effects of David Copperfield\, the use of the box for escape\, disappearance\, appearance\, and transference is a familiar vehicle for many illusions. \nThe lecture will be followed by a brief performance and demonstration along with a question and answer period. \nPerforming since age 10\, Craig Steven has performed in both private and stage venues for over 20 years. He is the recipient of both the stage and close-up awards from the IBM Ring 11. He designs and builds many of his own effects and for many other professional performers world-wide. You can see many of these effects on Craig’s website: www.illusionartsmagic.com. In his spare time Craig is a publishing consultant and a past-president of Rotary\, a Board President of the Integrus Credit Union\, a board member for Keystone AEA\, and a two-term Dubuque Community School Board member.
URL:https://archive.dbqart.org/event/artist-talk-2/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://archive.dbqart.org/wp-content/uploads/2014/09/BeytienHeadshot.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141005T133000
DTEND;TZID=America/Chicago:20141005T143000
DTSTAMP:20141001T200657Z
CREATED:20140926T234521Z
LAST-MODIFIED:20141001T200657Z
UID:683-1412515800-1412519400@archive.dbqart.org
SUMMARY:Artist Talk
DESCRIPTION:Exhibiting artist\, Grant William Thye\, will give a talk about his current exhibition Modern Landscapes: Paintings by Grant William Thye. \n Image: Installation view
URL:https://archive.dbqart.org/event/artist-talk/
LOCATION:Dubuque Museum of Art\, 701 Locust St.\, Dubuque\, IA\, 52001\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://archive.dbqart.org/wp-content/uploads/2014/09/thye.jpg
END:VEVENT
END:VCALENDAR